British Columbia · Grade 11

New Media 11

  • NMD 11

British Columbia’s Grade 11 English course, from New Media Forms & Genres to Creating & Presenting Digital/Multimedia Texts.

Units
5
Lessons
36
Skills
45
Provincial exam
None
Official curriculum
Province of British Columbia

Unit by unit

Every skill in the course, numbered by unit.

Unit 1 · 9 skills

New Media Forms & Genres

The Form of a Multimedia Text

  • Form of a multimedia text — the shape it takes

    I can identify the form a multimedia or other text takes — the shape a creator chose within a type of communication.

The Function of a Multimedia Text

  • Function of a multimedia text — its intended purpose

    I can identify the function of a multimedia text — its intended purpose — and separate it from the text's form.

The Genre of a Multimedia Text

  • Genre of a multimedia text — literary and thematic categories

    I can classify a text by genre and use the genre's conventions to explain what its audience expects.

How Technology Shapes Form

  • Relationships between form, function, and technology

    I can explain how available technology shapes what a text can be and do.

Reading Visual and Graphic Texts

  • Elements of visual and graphic texts

    I can read the visual grammar of a graphic or visual text and explain how design choices build meaning.

Interactivity as a Design Choice

Style, Literary Devices, and Analyzing Purpose

  • Elements of style

    I can identify the elements of style that make a creator's work distinguishable from others'.

  • Literary elements and devices, including figurative language

    I can recognize literary elements and devices, including figurative language, and explain how a text uses them.

  • How forms, formats, structures, and features of texts reflect purpose, audience, and message

    I can recognize and appreciate how the forms, formats, structures, and features a creator chooses reflect purpose, audience, and message.

The official wording · 9 outcomes
1.1
form, function, and genre of multimedia and other texts
1.2
function: the intended purpose of a text
1.3
form, function, and genre of multimedia and other texts
1.4
relationships between form, function, and technology
1.5
elements of visual/graphic texts
1.6
interactivity
1.7
elements of style
1.8
literary elements and devices
1.9
Recognize and appreciate how various forms, formats, structures, and features of texts reflect a variety of purposes, audiences, and messages

Key ideas

  1. Form is the shape a text takes — video essay, podcast, infographic, interactive story, meme, social post — chosen by the creator within a broader type of communication.

  2. Function is the intended purpose of a text — the job it's doing for its audience: to persuade, inform, entertain, reflect, sell, or connect.

  3. Genre is the literary or thematic category a text belongs to — adventure, fantasy, mystery, science fiction, horror, biography, essay, journalism, memoir, personal narrative, speech, and many more.

  4. The tools a creator has access to — camera quality, editing software, a platform's rules — set real limits and open real possibilities for a text's form.

  5. Layout (what's placed where, and in what order the eye travels) directs attention and signals importance.

Watch out for

  • Assuming 'form' just means the app it's posted on (TikTok, YouTube) rather than the actual shape/structure of the text itself.
  • Collapsing function into form — describing what a text IS (a video) instead of what it's FOR (to persuade).
  • Confusing genre with topic — thinking any video about basketball is the same 'genre' even though a highlight reel and a documentary follow completely different conventions.

Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit

Unit 2 · 12 skills

Reading & Comprehending Multimodal Texts

Narrative Structures in First Peoples Texts

  • Narrative structures found in First Peoples texts

    I can recognize narrative structures found in First Peoples texts and how they carry meaning.

  • Protocols related to the ownership of First Peoples oral texts

    I understand the protocols related to the ownership of First Peoples oral texts.

First Peoples Oral Tradition and the Influence of Land and Place

  • The role of story, narrative, and oral tradition in First Peoples texts

    I can recognize and understand the role of story, narrative, and oral tradition in expressing First Peoples perspectives, values, beliefs, and points of view.

  • The influence of land and place in First Peoples and other Canadian texts

    I can recognize the influence of land and place in First Peoples and other Canadian texts.

Reading Strategies — Predicting, Inferring, Questioning

  • Reading strategies — predicting, inferring, questioning

    I can use predicting, inferring, and questioning to actively engage with a new media text.

Reading Strategies — Paraphrasing, Summarizing, Big Ideas

  • Reading strategies — paraphrasing, summarizing, identifying big ideas

    I can use paraphrasing, summarizing, and identifying big ideas to pull the core meaning out of a media text.

Reading Strategies — Context Clues and Text Features

  • Reading strategies — using context clues and text features to unpack text

    I can use context clues and text features to unpack the meaning of an unfamiliar or ambiguous media text.

Reading Strategies — Connecting, Visualizing, Synthesizing, Reflecting

  • Reading strategies — making connections, visualizing, synthesizing, reflecting

    I can use making connections, visualizing, synthesizing, and reflecting to build deeper understanding across media texts.

Monitoring Your Own Thinking

  • Metacognitive strategies

    I can monitor my own comprehension and repair it when it breaks down while engaging with complex or multimodal texts.

Multimodal Reading and Literal vs. Inferential Meaning

  • Multimodal reading strategies

    I can apply reading strategies suited to texts that combine words, images, sound, and interaction.

  • Literal and inferential meaning in multimedia texts

    I can distinguish literal meaning from inferential meaning in multimedia texts.

Comprehending Written, Oral, Visual, and Multimodal Texts

  • Comprehending written, oral, visual, and multimodal texts

    I can apply appropriate strategies in a variety of contexts to comprehend written, oral, visual, and multimodal texts, using comprehension to guide inquiry and extend thinking.

The official wording · 12 outcomes
2.1
narrative structures found in First Peoples texts
2.2
protocols related to the ownership of First Peoples oral texts
2.3
Recognize and understand the role of story, narrative, and oral tradition in expressing First Peoples perspectives, values, beliefs, and points of view
2.4
Recognize the influence of land/place in First Peoples and other Canadian texts
2.5
reading strategies
2.6
reading strategies
2.7
reading strategies
2.8
reading strategies
2.9
metacognitive strategies
2.10
multimodal reading strategies
2.11
literal and inferential meaning
2.12
Apply appropriate strategies in a variety of contexts to comprehend written, oral, visual, and multimodal texts, to guide inquiry and to extend thinking

Key ideas

  1. Many First Peoples narratives use cyclical structures, strong connection to specific land and place, and a storyteller role that is itself part of the story's meaning — different from a strictly linear beginning-middle-end plot.

  2. Oral tradition is a living way of passing down perspectives, values, beliefs, and points of view across generations — the story itself carries the culture's knowledge, not just entertainment.

  3. Predicting means anticipating where a text is going next; inferring means filling in meaning the text implies but never states outright; questioning means interrogating a text's claims and choices as you go.

  4. Paraphrasing restates a specific claim in your own words; summarizing condenses a whole text to its essentials; identifying big ideas names the central point beneath the surface detail.

  5. Context clues — the surrounding words, images, and situation — help you work out an unfamiliar term or an ambiguous moment without an outside definition.

Watch out for

  • Assuming all stories should be judged by whether they follow a linear beginning-middle-end structure.
  • Treating oral tradition as an outdated way of telling stories now 'replaced' by digital media, rather than a living practice that can also live in digital form.
  • Assuming that because a text is 'just a video' or 'just an app,' you don't need to predict, infer, or question — that passive scrolling is enough.

Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit

Unit 3 · 6 skills

Digital Citizenship & Media Literacy

Evaluating the Relevance, Accuracy, and Reliability of Sources

  • Evaluating the relevance, accuracy, and reliability of digital sources

    I can access information from a variety of sources and evaluate its relevance, accuracy, and reliability.

The Complexities of Digital Citizenship

Thinking Critically, Creatively, and Reflectively About Media

  • Thinking critically, creatively, and reflectively about texts

    I can think critically, creatively, and reflectively to explore ideas within, between, and beyond new media texts.

Evaluating New Media Techniques and Devices

  • Evaluating how new media techniques and devices reflect purpose and audience

    I can evaluate how literary elements and new media techniques and devices reflect different purposes and audiences.

Identifying Bias, Contradictions, Distortions, and Omissions

  • Identifying bias, contradictions, distortions, and omissions

    I can identify bias, contradictions, distortions, and omissions in a media text.

Expressing and Supporting an Opinion with Evidence

  • Express and support an opinion with evidence

    I can express and support an opinion with evidence — building a defensible claim backed by evidence and reasoning.

The official wording · 6 outcomes
3.1
Access information for diverse purposes and from a variety of sources and evaluate its relevance, accuracy, and reliability
3.2
Recognize the complexities of digital citizenship
3.3
Think critically, creatively, and reflectively to explore ideas within, between, and beyond texts
3.4
Evaluate how literary elements and new media techniques and devices reflect different purposes and audiences
3.5
Identify bias, contradictions, distortions, and omissions
3.6
Express and support an opinion with evidence

Key ideas

  1. Relevance means checking whether a source has credibility, currency (how recent/up to date it is), and real significance for your purpose.

  2. Digital citizenship means taking personal responsibility and behaving ethically and cautiously when using technology.

  3. Thinking WITHIN a text means digging into what it actually says and how, beyond its surface message.

  4. New media techniques — editing choices, framing, pacing, sound design — work alongside literary devices to build a specific effect for a specific audience.

  5. Bias is a slanted point of view favouring one side; contradictions are claims that don't add up with each other; distortions twist facts out of their true proportion; omissions are what's conveniently left out.

Watch out for

  • Trusting a source because it's popular, well-produced, or shows up first in a search, rather than checking credibility and currency.
  • Treating online spaces as consequence-free or 'not really real' compared to face-to-face interactions.
  • Accepting a text's surface message at face value without digging into what it's actually doing or comparing it to anything else.

Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit

Unit 4 · 4 skills

New Media Functions

Advocacy as a Function of New Media

Community Building as a Function of New Media

Propaganda as a Function of New Media

Manipulation as a Function of New Media

The official wording · 4 outcomes
4.1
advocacy
4.2
community building
4.3
propaganda
4.4
manipulation

Key ideas

  1. Advocacy texts are built to campaign for a cause, change minds, or drive an audience to act — a petition video, an awareness campaign, a fundraising post.

  2. Community-building texts are built to connect people around a shared identity, interest, or experience — a fan forum, a hashtag movement, group chat culture.

  3. Propaganda texts are built to promote a particular political or ideological viewpoint, often by appealing to emotion over evidence.

  4. Manipulation texts are built to mislead an audience through selective editing, staged footage, deepfakes, or deceptive framing.

  5. Advocacy texts are constructed on purpose to move an audience toward a specific action, not just to inform neutrally.

Watch out for

  • Assuming any text that mentions a serious issue is automatically advocacy, without checking whether it's actually built to drive action.
  • Assuming a text is only 'community building' if it goes viral or reaches huge numbers, rather than recognizing small, tight-knit communities also count.
  • Assuming propaganda only exists in extreme historical examples, missing modern, subtler forms in everyday media.

Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit

Unit 5 · 14 skills

Creating & Presenting Digital/Multimedia Texts

Oral Strategies for Discussing and Pitching Media

Formal Speaking and Presentation Delivery

  • Demonstrate speaking and listening skills in formal and informal contexts

    I can demonstrate formal speaking and listening delivery across a range of contexts and purposes.

Writing and Multimodal Writing Processes

  • Writing processes

    I can move a written component of a new media project through the writing process to a polished final piece.

  • Multimodal writing strategies

    I can apply writing strategies suited to composing across multiple modes at once.

Multimedia Presentation Processes

  • Multimedia presentation processes

    I can move a visual or interactive project through a presentation process to a finished new media piece.

Usage and Conventions

  • Usage — avoiding double negatives, mixed metaphors, malapropisms, word misuse

    I can avoid common usage errors — double negatives, mixed metaphors, malapropisms, and word misuse — in my writing.

  • Conventions — standard punctuation, capitalization, quoting, Canadian spelling

    I can apply the common conventions of standard punctuation, capitalization, quoting, and Canadian spelling correctly and consistently.

Citation Techniques

  • Citation techniques for acknowledging sources

    I can apply citation techniques to acknowledge the sources I draw on in a new media project.

Selecting Media and Oral Formats for a Purpose

  • Selecting media appropriate to purpose, audience, and context

    I can select and use a variety of media appropriate to purpose, audience, and context.

  • Selecting an appropriate oral language format for a purpose

    I can select and apply an appropriate oral language format for an intended purpose.

Digital and Multimedia Creation

  • Using digital and multimedia processes to create engaging, meaningful texts

    I can use digital and multimedia writing and design processes to plan, develop, and create engaging and meaningful texts for a variety of purposes and audiences.

Refining and Transforming Texts

  • Refining texts for clarity, effectiveness, and impact

    I can reflect on, assess, and refine my new media texts to improve clarity, effectiveness, and impact.

  • Transforming ideas into original texts across genres and forms

    I can transform ideas and information into original texts, using a variety of genres, forms, structures, and styles.

Acknowledgements and Intellectual Property Rights

  • Acknowledgements and citations — avoiding plagiarism, respecting IP rights

    I can use acknowledgements and citations to recognize intellectual property rights.

The official wording · 14 outcomes
5.1
oral language strategies
5.2
Demonstrate speaking and listening skills in a variety of formal and informal contexts for a range of purposes
5.3
writing processes
5.4
multimodal writing strategies
5.5
multimedia presentation processes
5.6
usage and conventions
5.7
usage and conventions
5.8
citation techniques
5.9
Select and use a variety of media appropriate to purpose, audience, and context
5.10
Select and apply an appropriate oral language format for an intended purpose
5.11
Use digital and multimedia writing and design processes to plan, develop, and create engaging and meaningful literary, imaginative, and informational texts for a variety of purposes and audiences
5.12
Reflect on, assess, and refine texts to improve clarity, effectiveness, and impact according to purpose, audience, and message
5.13
Transform ideas and information to create original texts, using various genres, forms, structures, and styles
5.14
Use acknowledgements and citations to recognize intellectual property rights

Key ideas

  1. Organizing your ideas before speaking — even a rough mental outline — makes a pitch or critique land clearly instead of rambling.

  2. Formal delivery is a controllable set of techniques — conscious use of emotion, volume, pace, pause, inflection, and emphasis — that shape how an audience receives the exact same words.

  3. A script, voiceover, or caption set goes through the same writing process as any essay: planning, drafting, revising, and editing.

  4. A presentation process moves through stages — sketching or storyboarding, prototyping, gathering feedback, refining — before a final version is presented.

  5. A double negative ('I don't need no help') cancels itself out logically, even though the intended meaning is clear from context.

Watch out for

  • Assuming a good idea will 'speak for itself' without needing any organization or delivery practice.
  • Assuming a formal presentation is 'just reading your script out loud,' so delivery doesn't need any thought or practice.
  • Assuming a script is 'done' after the first draft because it's short, skipping revision entirely.

Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit

The official curriculum

This page follows British Columbia’s own curriculum for New Media 11.

Study it in MapleMind

MapleMind teaches New Media 11 one skill at a time. Each skill gets a short lesson, practice as you go and a check worth up to three stars. It remembers where you stopped.

Chemistry 11 in the MapleMind app on a tablet: its units, Unit 1 open, and the skills done so far with their starsChemistry 11 in the MapleMind app on a phone: its units, Unit 1 open, and the skills done so far with their stars
Pictured: Chemistry 11, another British Columbia course, partway through Unit 1.

Practise it

Course Companion

Your year in one workbook

A fun way to keep New Media 11 organized, get to know your child better and see early when they need a hand. Fill it in on a screen, or print it.

Pages
41
Fillable fields
1,737
Price
$4.99
See the Course Companion

Questions about New Media 11

What is New Media 11?

British Columbia’s Grade 11 English course: 5 units and 45 skills, from New Media Forms & Genres to Creating & Presenting Digital/Multimedia Texts.

What units are in New Media 11?

1. New Media Forms & Genres, 2. Reading & Comprehending Multimodal Texts, 3. Digital Citizenship & Media Literacy, 4. New Media Functions and 5. Creating & Presenting Digital/Multimedia Texts.

Is there a provincial exam for New Media 11?

No. British Columbia gives no provincial exam for New Media 11.

What textbook does New Media 11 use?

Each school district in British Columbia chooses its own textbooks, so ask your teacher which one your class uses.

What comes after New Media 11?

Literary Studies 12, Creative Writing 12 and English Studies 12.

Can MapleMind help with New Media 11?

Yes. MapleMind teaches every skill of New Media 11, step by step, with practice and checks, and its tutor answers questions about any of them. It’s free with daily limits, on iPhone, Android and the web.

Get ready for New Media 11

Practise every skill of New Media 11 in MapleMind, free with daily limits.