British Columbia · Grade 10
English Language Arts 10
British Columbia’s Grade 10 English course, from Reading and Comprehending Texts to Composing and Communicating.
- Units
- 4
- Lessons
- 26
- Skills
- 29
- Provincial exam
- None
- Official curriculum
- Province of British Columbia
Unit by unit
Every skill in the course, numbered by unit.
Unit 1 · 8 skills
Reading and Comprehending Texts
First Peoples Narrative Structures
Narrative structures in First Peoples texts
I can recognize the narrative structures found in First Peoples texts and read them on their own terms.
Skill 1.1
Ownership and Protocols
Protocols for the ownership of First Peoples oral texts
I can explain the protocols related to ownership of First Peoples oral texts.
Skill 1.2
First Peoples Oral Tradition and the Influence of Land
The role of story, narrative, and oral tradition in First Peoples texts
I can recognize and appreciate the role of story, narrative, and oral tradition in expressing First Peoples perspectives, values, beliefs, and points of view.
Skill 1.3
The influence of land and place in First Peoples and Canadian texts
I can recognize and appreciate the influence of land and place in First Peoples and other Canadian texts.
Skill 1.4
Reading Strategies for Complex Texts
Reading strategies for making sense of a text
I can apply reading strategies to build and check my understanding of complex texts.
Skill 1.5
Thinking About Your Own Thinking
Metacognitive strategies — thinking about your own thinking
I can monitor my own understanding and reflect on my processes to identify my strengths and challenges.
Skill 1.6
Literal vs. Inferential Meaning
Literal meaning vs. inferential meaning in texts
I can distinguish literal meaning from inferential meaning in a text and support an inference with evidence.
Skill 1.7
Comprehending Written, Oral, Visual, and Multimodal Texts
Comprehending written, oral, visual, and multimodal texts
I can apply appropriate strategies to comprehend written, oral, visual, and multimodal texts.
Skill 1.8
The official wording · 8 outcomes
- 1.1
- narrative structures found in First Peoples texts
- 1.2
- protocols related to ownership of First Peoples oral texts
- 1.3
- Recognize and appreciate the role of story, narrative, and oral tradition in expressing First Peoples perspectives, values, beliefs, and points of view
- 1.4
- Recognize and appreciate the influence of land/place in First Peoples and other Canadian texts
- 1.5
- reading strategies
- 1.6
- metacognitive strategies
- 1.7
- literal meaning and inferential meaning
- 1.8
- Apply appropriate strategies to comprehend written, oral, visual, and multimodal texts
Key ideas
First Peoples narratives often use cyclical, iterative, or circular structures — the story can circle back, repeat with variation, or resist a single "ending" — because oral tradition and connection to land shape the form.
First Peoples stories often have protocols for when and where they can be shared, who owns them, and who can share them — ownership is not automatically public just because a story is old or widely known.
Story and oral tradition are how First Peoples perspectives, values, beliefs, and points of view get carried forward — a story is doing cultural and historical work, not just entertaining.
Readers use many strategies to "unpack" a text with increasing independence, choosing them based on purpose, text, and context: predicting, inferring, questioning, paraphrasing, using context clues, using text features, visualizing, making connections, summarizing, identifying big ideas, synthesizing, and reflecting.
Metacognition means thinking about your own thinking — catching the moment comprehension slips ("wait, I lost the thread here") instead of ploughing on and hoping it resolves itself.
Watch out for
- Assuming a story that does not build to a single climax is "unfinished" or poorly structured, instead of recognizing a different, intentional structure.
- Assuming that because a story is old or "traditional," it is automatically free for anyone to retell.
- Treating all First Peoples texts as expressing one single, interchangeable "Indigenous perspective" instead of recognizing diversity across Nations and storytellers.
Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit
Unit 2 · 4 skills
Critical Reading: Context, Bias & Reliability
Evaluating Relevance, Accuracy, and Reliability
Evaluating the relevance, accuracy, and reliability of a source
I can explore the relevance, accuracy, and reliability of texts.
Skill 2.1
Thinking Critically, Creatively, and Reflectively
Thinking critically and creatively about ideas within, between, and beyond texts
I can think critically, creatively, and reflectively to explore ideas within, between, and beyond texts.
Skill 2.2
Recognizing Context, Values, and Perspectives
Recognizing contexts, values, and perspectives in a text
I can recognize personal, social, and cultural contexts, as well as values and perspectives, in texts.
Skill 2.3
Identifying Bias, Contradictions, and Distortions
Identifying bias, contradictions, and distortions in a text
I can identify bias, contradictions, and distortions in a text.
Skill 2.4
The official wording · 4 outcomes
- 2.1
- Explore the relevance, accuracy, and reliability of texts
- 2.2
- Think critically, creatively, and reflectively to explore ideas within, between, and beyond texts
- 2.3
- Recognize personal, social, and cultural contexts, as well as values and perspectives in texts
- 2.4
- Identify bias, contradictions, and distortions
Key ideas
Relevance asks whether a source actually applies to your question or topic; accuracy asks whether its facts check out; reliability asks whether the source and its author are credible enough to trust.
Ideas can be explored at three levels: within a single text (what is this text actually saying), between multiple texts (how do two texts speak to or contradict each other), and beyond texts (what does this connect to in the wider world).
Every text carries personal context (the writer's own life and experience), social context (the community and time it was written in), and cultural context (shared beliefs, traditions, and values) — all of which shape what the text says and how.
Bias shows up as slanted language, one-sided framing, or information deliberately left out; a contradiction is when a text's claims don't line up with each other or with outside facts; a distortion misrepresents something (exaggerating, oversimplifying, or twisting facts).
These three checks are distinct — a source can be current and well-written (relevant) while still getting facts wrong (inaccurate), or accurate on one point while coming from an untrustworthy source overall (unreliable).
Watch out for
- Assuming a source is reliable just because it looks professional, is popular, or appears first in a search.
- Staying only at the "within the text" level (summarizing what it says) and never pushing to comparison or real-world connection.
- Assuming a text's meaning is fixed and universal, ignoring how the writer's (and reader's) context shapes interpretation.
Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit
Unit 3 · 6 skills
Analyzing Craft: Style, Voice & Literary Devices
Language Features
Language features that carry meaning in a text
I can identify language features in a text and name the effect each one creates.
Skill 3.1
Elements of Style
Elements of style — diction, vocabulary, sentence structure, tone
I can recognize the stylistic choices — diction, vocabulary, sentence structure, and tone — that make one writer distinguishable from another.
Skill 3.2
Exploring Voice
Voice: point of view, perspective, and persona
I can explore voice through point of view, perspective, and persona.
Skill 3.3
Voice through humour, irony, satire, and wit
I can explore voice through humour, irony, satire, and wit.
Skill 3.4
Literary Elements and Devices
Literary elements and devices, including figurative language
I can identify and analyze literary elements and devices, including figurative language, in a text.
Skill 3.5
How Forms, Structures, and Features Shape Meaning
How forms, structures, and features of texts shape meaning and impact
I can recognize and appreciate how different forms, formats, structures, and features of texts enhance and shape meaning and impact.
Skill 3.6
The official wording · 6 outcomes
- 3.1
- language features
- 3.2
- elements of style
- 3.3
- exploration of voice
- 3.4
- exploration of voice
- 3.5
- literary elements and devices
- 3.6
- Recognize and appreciate how different forms, formats, structures, and features of texts enhance and shape meaning and impact
Key ideas
Language features are the writer's toolkit: figurative language (metaphor, simile), sentence variety (short vs. long, simple vs. complex), precise diction (the exact word, not a close-enough one), and sound devices (alliteration, rhythm).
Elements of style are the stylistic choices that make one specific writer distinguishable from others: diction, vocabulary, sentence structure, and tone, working together rather than in isolation.
Voice is shaped first by who is speaking and from what stance — point of view (first, second, third person), perspective (the vantage point on events), and persona (a constructed identity a writer adopts that may not be their own).
Texts use a range of literary devices — figurative language, symbolism, foreshadowing, irony, imagery, and more — according to their specific purpose and audience.
Form is the writer's choice based on purpose (narrative, journal, procedural/expository/explanatory document, news article, email, blog, advertisement, poetry, novel, letter); format covers layout, sequencing, spacing, typography, and colour; structure is how the text is organized (cause/effect, compare/contrast, order of importance, chronological, problem/solution, circular/cyclical); features are elements outside the main body (navigational aids like headings and footnotes, or illustrations like graphs and photographs).
Watch out for
- Spotting a language feature and stopping there ("that's a metaphor") without analyzing what effect it produces.
- Describing style using only one element (just tone, or just sentence length) instead of how several elements combine.
- Assuming a first-person narrator is always fully honest/reliable, rather than recognizing persona and stance can limit or shape what's told.
Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit
Unit 4 · 11 skills
Composing and Communicating
Speaking and Listening with Purpose
Oral language strategies (speaking with expression, clarifying, summarizing)
I can use oral language strategies to speak with purpose and listen actively.
Skill 4.1
The Writing Process
Writing processes — from gathering ideas to editing
I can move through the writing process deliberately, treating each stage as distinct work.
Skill 4.2
Designing a Text's Layout and Format
Design processes for shaping a text's layout and format
I can use design processes to make deliberate choices about how a text communicates visually.
Skill 4.3
Usage and Conventions
Usage — avoiding double negatives, mixed metaphors, malapropisms, word misuse
I can recognize and avoid common usage errors — double negatives, mixed metaphors, malapropisms, and word misuse.
Skill 4.4
Conventions — standard punctuation, capitalization, quoting, Canadian spelling
I can apply the common practices of standard punctuation, capitalization, quoting, and Canadian spelling.
Skill 4.5
Citation Techniques
Citation techniques for acknowledging sources
I can apply citation techniques to acknowledge sources accurately.
Skill 4.6
Refining Texts for Clarity and Impact
Revising and refining your writing for clarity and impact
I can assess and refine texts to improve clarity and impact.
Skill 4.7
Speaking and Listening in Formal and Informal Contexts
Speaking and listening in formal and informal contexts
I can demonstrate speaking and listening skills in a variety of formal and informal contexts, for a range of purposes, including respectfully exchanging ideas.
Skill 4.8
Composing Meaningful Texts for Real Audiences
Composing meaningful texts for real purposes and audiences
I can use writing and design processes to plan, develop, and create engaging and meaningful texts for a variety of real purposes and audiences.
Skill 4.9
Expressing and Supporting an Opinion
Expressing and supporting an opinion with evidence
I can express and support an opinion with evidence.
Skill 4.10
Acknowledgements and Intellectual Property Rights
Acknowledgements and citations — avoiding plagiarism, respecting IP rights
I can use acknowledgements and citations to recognize intellectual property rights.
Skill 4.11
The official wording · 11 outcomes
- 4.1
- oral language strategies
- 4.2
- writing processes
- 4.3
- design processes
- 4.4
- usage and conventions
- 4.5
- usage and conventions
- 4.6
- citation techniques
- 4.7
- Assess and refine texts to improve clarity and impact
- 4.8
- Demonstrate speaking and listening skills in a variety of formal and informal contexts for a range of purposes
- 4.9
- Use writing and design processes to plan, develop, and create engaging and meaningful texts for a variety of purposes and audiences
- 4.10
- Express and support an opinion with evidence
- 4.11
- Use acknowledgements and citations to recognize intellectual property rights
Key ideas
Oral language strategies include speaking with expression, connecting to listeners, asking questions to clarify, listening for specifics, summarizing, and paraphrasing.
Writing processes vary by context but may include determining audience and purpose, generating or gathering ideas, free-writing, making notes, drafting, revising, and/or editing — writing is an iterative process, not a single pass.
Design is a process with its own planning: deciding layout, choosing or creating images, and sequencing a multimedia or visual text so the visual choices support the content instead of fighting it.
Usage errors are specific, nameable problems: double negatives ("I don't need no help"), mixed metaphors (combining two images that clash, like "we'll cross that bridge when we burn it"), malapropisms (a wrong word that sounds like the right one, like "for all intensive purposes"), and word misuse.
Citation techniques let you accurately acknowledge sources — keeping a record of where borrowed words, ideas, and evidence came from, in whatever citation style a given piece of writing calls for.
Watch out for
- Assuming speaking well means talking fast or a lot, rather than organizing a clear point first.
- Believing a single rough draft, lightly spell-checked, counts as "going through the writing process."
- Treating visual design as decoration added at the very end rather than a choice planned alongside the content from the start.
Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit
Plan the term
Pick your term and the days you study. Each unit gets its share of the weeks and comes back a week later for a review. The last two weeks go over the whole course.
The official curriculum
This page follows British Columbia’s own curriculum for English Language Arts 10.
Textbooks
In British Columbia, each school district chooses its own textbooks: the ministry no longer recommends them. The ministry’s page
Study it in MapleMind
MapleMind teaches English Language Arts 10 one skill at a time. Each skill gets a short lesson, practice as you go and a check worth up to three stars. It remembers where you stopped.


Course Companion
Your year in one workbook
A fun way to keep English Language Arts 10 organized, get to know your child better and see early when they need a hand. Fill it in on a screen, or print it.
- Pages
- 34
- Fillable fields
- 1,430
- Price
- $4.99
Questions about English Language Arts 10
What is English Language Arts 10?
British Columbia’s Grade 10 English course: 4 units and 29 skills, from Reading and Comprehending Texts to Composing and Communicating.
What units are in English Language Arts 10?
1. Reading and Comprehending Texts, 2. Critical Reading: Context, Bias & Reliability, 3. Analyzing Craft: Style, Voice & Literary Devices and 4. Composing and Communicating.
Is there a provincial exam for English Language Arts 10?
No. British Columbia gives no provincial exam for English Language Arts 10.
What textbook does English Language Arts 10 use?
Each school district in British Columbia chooses its own textbooks, so ask your teacher which one your class uses.
What comes after English Language Arts 10?
New Media 11, Literary Studies 11 and Composition 11.
Can MapleMind help with English Language Arts 10?
Yes. MapleMind teaches every skill of English Language Arts 10, step by step, with practice and checks, and its tutor answers questions about any of them. It’s free with daily limits, on iPhone, Android and the web.