Quebec · Secondary 5
English Language Arts, Secondary 5
- 612-536
Quebec’s Secondary 5 English course, from Reading Process: Interpreting Texts to Conventions: Media Language.
- Units
- 8
- Lessons
- 23
- Skills
- 64
- Provincial exam
- 50% of the final mark
- Official curriculum
- Québec Progression des apprentissages
Unit by unit
Every skill in the course, numbered by unit.
Unit 1 · 8 skills
Reading Process: Interpreting Texts
Recognizing closed narrative patterns
Known characteristics of a closed narrative text (e.g. the formulaic pattern in a heroic myth or in a
Skill 1.1
Use: Known characteristics of an open narrative text (e.g. figurative language in a short story or symbolism in a poem)
Skill 1.2
Connecting facts to a controlling idea
Connects significant facts/information in relation to main idea(s), hypothesis, thesis statement or stance
Skill 1.3
Use: Analyzes implications and/or impact and/or influence
Skill 1.4
Identifies dominant discourses and how they shape the writer’s/producer’s intended meanings/messages (i.e.
Skill 1.5
Interrelating genre, context, and meaning
Use: Establishes interrelationships between the structure
Skill 1.6
Comparing your values with a text's
Compares/contrasts own ideas, values and beliefs with those presented by writer/producer (e.g. notions of
Skill 1.7
Analyzes how readers are positioned or situated by the text and how this can alter an interpretation (e.g.
Skill 1.8
The official wording · 8 outcomes
- 1.1
- Known characteristics of a closed narrative text (e.g. the formulaic pattern in a heroic myth or in a
- 1.2
- Known characteristics of an open narrative text (e.g. figurative language in a short story or symbolism in a
- 1.3
- Connects significant facts/information in relation to main idea(s), hypothesis, thesis statement or stance
- 1.4
- Analyzes implications and/or impact and/or influence of stereotyping or cliché, false representation, gender
- 1.5
- Identifies dominant discourses and how they shape the writer’s/producer’s intended meanings/messages (i.e.
- 1.6
- Establishes interrelationships between the structure and features of the genre, the context in which the text is produced, and the impact of the text on self as reader (e.g. the use of dramatic irony in Romeo and Juliet allows Shakespeare to heighten the tragedy of their suicides, while reminding today’s reader that in the 16th century, star-crossed lovers had very few choices as to how their situation might be resolved)
- 1.7
- Compares/contrasts own ideas, values and beliefs with those presented by writer/producer (e.g. notions of
- 1.8
- Analyzes how readers are positioned or situated by the text and how this can alter an interpretation (e.g.
Watch out for
- Thinking a character is whoever the narrator says they are — judge them by their actions and words, not the label.
- Thinking a topic is a thesis — ‘social media’ is a topic; ‘social media rewards outrage’ is an arguable claim.
- Thinking meaning lives in the text alone — it emerges from how the text, its context and your own reading meet.
Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit
Unit 2 · 4 skills
Production Process
Writing for a distant but known audience
Use: Distant but known audience, conceptually appropriate
Skill 2.1
Managing distance between writer and audience
Use: Distance between self as writer/producer, topic, purpose and intended/target audience
Skill 2.2
Managing resources and rights in media production
Use: Looks into issues of ownership, property and privacy
Skill 2.3
Transforming a text across media
Transforms the information from one mode or medium to another (e.g. prepares a slideshow that synthesizes the
Skill 2.4
The official wording · 4 outcomes
- 2.1
- Distant but known audience, conceptually appropriate for an adolescent (e.g. considers audience knowledge
- 2.2
- Distance between self as writer/producer, topic, purpose and intended/target audience
- 2.3
- Looks into issues of ownership, property and privacy common to the media industry (e.g. checks that copyright
- 2.4
- Transforms the information from one mode or medium to another (e.g. prepares a slideshow that synthesizes the
Watch out for
- Thinking you write for a general ‘everyone’ — you write for a specific audience whose knowledge sets what to explain.
- Thinking a writer’s stance shows only in what they state — it shows in tone, distance and word choice too.
- Thinking anything you find online is free to reuse — copyright and ownership rules apply, and crediting matters.
Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit
Unit 3 · 2 skills
Research Process
Research Process
Use: Uses ethnography to study a social world relevant to an adolescent
Skill 3.1
Adopting a stance from your findings
Use: Adopts a stance that promotes the smooth development
Skill 3.2
The official wording · 2 outcomes
- 3.1
- Uses ethnography to study a social world relevant to an adolescent
- 3.2
- Adopts a stance that promotes the smooth development of a hypothesis, thesis statement or controlling idea in
Watch out for
- Thinking research just means looking things up — some questions require you to observe or intervene, not just read.
- Thinking any method fits any question — the method has to match what you’re trying to find out.
Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit
Unit 4 · 9 skills
Required Genres: Narrative Texts
Classic, modern, and contemporary literature
Written for adults and reflecting the variety of texts in the literary tradition, including novels, short
Skill 4.1
How narrative texts are built: structural irony
(Reading only) Structural irony (i.e. a double meaning established by a naive protagonist that continues throughout the text, such as in Treasure Island or Gulliver’s Travels)
Skill 4.2
Reading recurring motifs and patterns
Use: Recurring motifs, concepts, and other patterns
Skill 4.3
Situational and dramatic irony
Use: Irony (e.g. situational, dramatic)
Skill 4.4
Use: Satire
Skill 4.5
Conventions of specific literary genres (e.g. use of mythical characters in an allegory; scene gathering all
Skill 4.6
Conventions of specific text types (e.g. use of gutters and panel shape/size in a comic; use of asides,
Skill 4.7
Use: Multigenre conventions (e.g. journal entries in a novel; historical footage in a contemporary film)
Skill 4.8
(Reading only) Multimodal conventions (e.g. use of theatrical elements such as costume, set design, makeup,
Skill 4.9
The official wording · 9 outcomes
- 4.1
- Written for adults and reflecting the variety of texts in the literary tradition, including novels, short
- 4.2
- (Reading only) Structural irony (i.e. a double meaning established by a naive protagonist that continues throughout the text, such as in Treasure Island or Gulliver’s Travels)
- 4.3
- Recurring motifs, concepts, and other patterns
- 4.4
- Irony (e.g. situational, dramatic)
- 4.5
- Satire
- 4.6
- Conventions of specific literary genres (e.g. use of mythical characters in an allegory; scene gathering all
- 4.7
- Conventions of specific text types (e.g. use of gutters and panel shape/size in a comic; use of asides,
- 4.8
- Multigenre conventions (e.g. journal entries in a novel; historical footage in a contemporary film)
- 4.9
- (Reading only) Multimodal conventions (e.g. use of theatrical elements such as costume, set design, makeup,
Watch out for
- Thinking genre is just a shelf label — genre sets the conventions and expectations you read a text against.
- Thinking a repeated image is coincidence — deliberate repetition turns a detail into a carrier of meaning.
- Thinking irony just means coincidence or bad luck — irony depends on a deliberate gap the reader is meant to see.
Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit
Unit 5 · 4 skills
Required Genres: Reports
How multigenre reports work
Multigenre conventions (e.g. use of case studies in a research report; use of narration and/or description to
Skill 5.1
Multimodal conventions (e.g. video clips or still images interspersed throughout a televised interview; sound
Skill 5.2
Conventions that establish authority
Conventions that establish authority and expertise (e.g. formal register, technical/disciplinary diction/word
Skill 5.3
Rhetorical strategies to construct a relationship with the subject such as sharing short anecdotes,
Skill 5.4
The official wording · 4 outcomes
- 5.1
- Multigenre conventions (e.g. use of case studies in a research report; use of narration and/or description to
- 5.2
- Multimodal conventions (e.g. video clips or still images interspersed throughout a televised interview; sound
- 5.3
- Conventions that establish authority and expertise (e.g. formal register, technical/disciplinary diction/word
- 5.4
- Rhetorical strategies to construct a relationship with the subject such as sharing short anecdotes,
Watch out for
- Thinking music is just background — the score is often making the emotional argument the images cannot make alone.
- Thinking formal register means fancy words — register is fit for purpose and audience, not decoration.
- Thinking a voiceover is neutral narration — the voice chosen (its accent, calm, authority) is a persuasion choice.
Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit
Unit 6 · 13 skills
Exposition: Persuasive Texts
Required Persuasive Texts
Use: Speeches (e.g. pitch an ad campaign, book talk)
Skill 6.1
Use: Essays dealing with personal and social concerns (e.g. opinion column, position paper)
Skill 6.2
How persuasive texts are built
Use: Persuasive language such as connotation, loaded word
Skill 6.3
Respect for production constraints that influence the content of a newspaper/magazine/show (e.g. word limit,
Skill 6.4
Rhetorical strategies such as anticipating and addressing opposing viewpoints, repetition, questions,
Skill 6.5
Multigenre conventions (e.g. use of melodrama in a series of TV ads; use of fairy tale conventions in an
Skill 6.6
Multimodal conventions (e.g. sound of grasshoppers to indicate deafening silence in a speech; manipulated
Skill 6.7
Transforming persuasion across media
Use: Transformation of ideas/concept from one mode/medium
Skill 6.8
Use: Thesis/controlling idea (i.e. thesis statement)
Skill 6.9
Use: Introduction with an engaging lead and an elaboration of topic
Skill 6.10
Evidence organized as points in a logical sequence (i.e. using a structure such as classification, cause and
Skill 6.11
Use: Use of a variety of strategies to prove/illustrate point (e.g. anecdote, famous quotations, popular media examples)
Skill 6.12
Conclusion which convinces reader either to behave (buy, donate, act – ‘call to action’) or to think a certain way
Skill 6.13
The official wording · 13 outcomes
- 6.1
- Speeches (e.g. pitch an ad campaign, book talk)
- 6.2
- Essays dealing with personal and social concerns (e.g. opinion column, position paper)
- 6.3
- Persuasive language such as connotation, loaded words, modals (should, would, must), polarizing rhetoric,
- 6.4
- Respect for production constraints that influence the content of a newspaper/magazine/show (e.g. word limit,
- 6.5
- Rhetorical strategies such as anticipating and addressing opposing viewpoints, repetition, questions,
- 6.6
- Multigenre conventions (e.g. use of melodrama in a series of TV ads; use of fairy tale conventions in an
- 6.7
- Multimodal conventions (e.g. sound of grasshoppers to indicate deafening silence in a speech; manipulated
- 6.8
- Transformation of ideas/concept from one mode/medium to another (e.g. creating a spoof PSA based on a current
- 6.9
- Thesis/controlling idea (i.e. thesis statement)
- 6.10
- Introduction with an engaging lead and an elaboration of topic
- 6.11
- Evidence organized as points in a logical sequence (i.e. using a structure such as classification, cause and
- 6.12
- Use of a variety of strategies to prove/illustrate point (e.g. anecdote, famous quotations, popular media
- 6.13
- Conclusion which convinces reader either to behave (buy, donate, act – ‘call to action’) or to think a certain way
Watch out for
- Thinking a speech is just an essay read out loud — spoken persuasion needs shorter sentences, repetition and a hook for the ear.
- Thinking neutral-sounding language is neutral — loaded words and modals steer you while seeming plain.
- Thinking an ad is mainly giving you product information — its real work is attaching a feeling to the product.
Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit
Unit 7 · 22 skills
Exposition: Argumentative Texts
Required Argumentative Texts
Texts dealing with personal and social concerns, such as political blogs, editorials, televised panel
Skill 7.1
Use: Essays dealing with issues/topics arising from literature, popular culture and the media
Skill 7.2
Use: Texts dealing with personal and social concerns (e.g. editorial, blog, research thesis)
Skill 7.3
Use: Essays dealing with issues arising from literature (i.e. literary essay)
Skill 7.4
How argumentative texts are built
Use: Rhetorical strategies to engage and convince reader
Skill 7.5
Conventions to establish credibility and authority such as using a formal, academic register; 1st or 3rd
Skill 7.6
Use: Conventions which establish relationships between id…
Skill 7.7
Use: Multigenre conventions (e.g. use of personal narrative in an essay; ‘call to action’ conclusion in an editorial)
Skill 7.8
Multimodal conventions (e.g. video clips of recent news events in a panel discussion; satirical cartoon with
Skill 7.9
Use: Use of a procedure such as Parliamentary procedure
Skill 7.10
Use: Basic structure: opening statement of the issue
Skill 7.11
Rhetorical strategies to address and/or distract opponent such as rephrasing, paraphrasing, and/or
Skill 7.12
Use: Spoken conventions such as intonation patterns, paus
Skill 7.13
Use: Introduction which includes a lead, an elaboration of the topic, a clear thesis statement and a path statement
Skill 7.14
Evidence organized as points in a logical sequence (e.g. using a structure such as classification, cause and
Skill 7.15
Conventions to establish a sense of unity and coherence (i.e. paragraphs structured using a formulaic
Skill 7.16
Conclusion which wraps up the argument by: generalizing the thesis/ideas to the human condition, elevating
Skill 7.17
Use: Proper citation(s) of reference material (e.g. ellipsis points, brackets, formatting, footnotes, bibliography )
Skill 7.18
Use: Focus on current issues and events in the news
Skill 7.19
Use: Introduction which situates issue within a local and/or national context
Skill 7.20
Use: Stance/role of editor is consistent with the ideology of a given news source
Skill 7.21
Respect for production constraints that influence the editorial content of a newspaper/magazine/show (e.g.
Skill 7.22
The official wording · 22 outcomes
- 7.1
- Texts dealing with personal and social concerns, such as political blogs, editorials, televised panel
- 7.2
- Essays dealing with issues/topics arising from literature, popular culture and the media
- 7.3
- Texts dealing with personal and social concerns (e.g. editorial, blog, research thesis)
- 7.4
- Essays dealing with issues arising from literature (i.e. literary essay)
- 7.5
- Rhetorical strategies to engage and convince reader (e.g. stating basis of argument (pros/cons) upfront,
- 7.6
- Conventions to establish credibility and authority such as using a formal, academic register; 1st or 3rd
- 7.7
- Conventions which establish relationships between ideas and serve to extend the argument (e.g. syntactic
- 7.8
- Multigenre conventions (e.g. use of personal narrative in an essay; ‘call to action’ conclusion in an
- 7.9
- Multimodal conventions (e.g. video clips of recent news events in a panel discussion; satirical cartoon with
- 7.10
- Use of a procedure such as Parliamentary procedure
- 7.11
- Basic structure: opening statement of the issue and a preview of main arguments, followed by arguments for a
- 7.12
- Rhetorical strategies to address and/or distract opponent such as rephrasing, paraphrasing, and/or
- 7.13
- Spoken conventions such as intonation patterns, pauses and silences, gestures, turn-taking, use of a
- 7.14
- Introduction which includes a lead, an elaboration of the topic, a clear thesis statement and a path statement
- 7.15
- Evidence organized as points in a logical sequence (e.g. using a structure such as classification, cause and
- 7.16
- Conventions to establish a sense of unity and coherence (i.e. paragraphs structured using a formulaic
- 7.17
- Conclusion which wraps up the argument by: generalizing the thesis/ideas to the human condition, elevating
- 7.18
- Proper citation(s) of reference material (e.g. ellipsis points, brackets, formatting, footnotes, bibliography
- 7.19
- Focus on current issues and events in the news
- 7.20
- Introduction which situates issue within a local and/or national context
- 7.21
- Stance/role of editor is consistent with the ideology of a given news source
- 7.22
- Respect for production constraints that influence the editorial content of a newspaper/magazine/show (e.g.
Watch out for
- Thinking an editorial is just news — it’s an argument, and its stance reflects the outlet’s ideology.
- Thinking a thesis just announces your topic — it must make a claim someone could argue against.
- Thinking the writer’s opinion is only their own — an editorial usually voices the publication’s consistent position.
Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit
Unit 8 · 2 skills
Conventions: Media Language
How a producer communicates a stance
Establish relevance (i.e. image/word/sound coexist and/or are juxtaposed to create meaning/message such as
Skill 8.1
Analyzing values and ideology in media
Values, beliefs, ideologies (e.g. a close-up of a sleeping baby is associated with a new beginning; the
Skill 8.2
The official wording · 2 outcomes
- 8.1
- Establish relevance (i.e. image/word/sound coexist and/or are juxtaposed to create meaning/message such as
- 8.2
- Values, beliefs, ideologies (e.g. a close-up of a sleeping baby is associated with a new beginning; the
Plan the term
Pick your term and the days you study. Each unit gets its share of the weeks and comes back a week later for a review. The last two weeks go over the whole course.
The mark you need
Your class mark counts for 50% of the final mark, the exam for 50%. Quebec may moderate your class mark before it’s blended.
You need
65% on the exam
With 75% in class, your final mark lands between 37.5% (0 on the exam) and 87.5% (100% on it).
The official curriculum
This page follows Quebec’s own curriculum for English Language Arts, Secondary 5.
Study it in MapleMind
MapleMind teaches English Language Arts, Secondary 5 one skill at a time. Each skill gets a short lesson, practice as you go and a check worth up to three stars. It remembers where you stopped.


Course Companion
Your year in one workbook
A fun way to keep English Language Arts, Secondary 5 organized, get to know your child better and see early when they need a hand. Fill it in on a screen, or print it.
- Pages
- 46
- Fillable fields
- 2,137
- Price
- $4.99
Questions about English Language Arts, Secondary 5
What is English Language Arts, Secondary 5?
Quebec’s Secondary 5 English course: 8 units and 64 skills, from Reading Process: Interpreting Texts to Conventions: Media Language.
What units are in English Language Arts, Secondary 5?
1. Reading Process: Interpreting Texts, 2. Production Process, 3. Research Process, 4. Required Genres: Narrative Texts, 5. Required Genres: Reports, 6. Exposition: Persuasive Texts, 7. Exposition: Argumentative Texts and 8. Conventions: Media Language.
Is there a provincial exam for English Language Arts, Secondary 5?
Yes. The English Language Arts, Secondary V counts for 50% of the final mark. Next sitting: January 13, 2027.
Can MapleMind help with English Language Arts, Secondary 5?
Yes. MapleMind teaches every skill of English Language Arts, Secondary 5, step by step, with practice and checks, and its tutor answers questions about any of them. It’s free with daily limits, on iPhone, Android and the web.