Quebec · Secondary 5

English Language Arts, Secondary 5

  • 612-536

Quebec’s Secondary 5 English course, from Reading Process: Interpreting Texts to Conventions: Media Language.

Units
8
Lessons
23
Skills
64
Provincial exam
50% of the final mark

Unit by unit

Every skill in the course, numbered by unit.

Unit 1 · 8 skills

Reading Process: Interpreting Texts

Recognizing closed narrative patterns

Connecting facts to a controlling idea

Interrelating genre, context, and meaning

Comparing your values with a text's

The official wording · 8 outcomes
1.1
Known characteristics of a closed narrative text (e.g. the formulaic pattern in a heroic myth or in a
1.2
Known characteristics of an open narrative text (e.g. figurative language in a short story or symbolism in a
1.3
Connects significant facts/information in relation to main idea(s), hypothesis, thesis statement or stance
1.4
Analyzes implications and/or impact and/or influence of stereotyping or cliché, false representation, gender
1.5
Identifies dominant discourses and how they shape the writer’s/producer’s intended meanings/messages (i.e.
1.6
Establishes interrelationships between the structure and features of the genre, the context in which the text is produced, and the impact of the text on self as reader (e.g. the use of dramatic irony in Romeo and Juliet allows Shakespeare to heighten the tragedy of their suicides, while reminding today’s reader that in the 16th century, star-crossed lovers had very few choices as to how their situation might be resolved)
1.7
Compares/contrasts own ideas, values and beliefs with those presented by writer/producer (e.g. notions of
1.8
Analyzes how readers are positioned or situated by the text and how this can alter an interpretation (e.g.

Watch out for

  • Thinking a character is whoever the narrator says they are — judge them by their actions and words, not the label.
  • Thinking a topic is a thesis — ‘social media’ is a topic; ‘social media rewards outrage’ is an arguable claim.
  • Thinking meaning lives in the text alone — it emerges from how the text, its context and your own reading meet.

Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit

Unit 2 · 4 skills

Production Process

Writing for a distant but known audience

Managing distance between writer and audience

Managing resources and rights in media production

Transforming a text across media

The official wording · 4 outcomes
2.1
Distant but known audience, conceptually appropriate for an adolescent (e.g. considers audience knowledge
2.2
Distance between self as writer/producer, topic, purpose and intended/target audience
2.3
Looks into issues of ownership, property and privacy common to the media industry (e.g. checks that copyright
2.4
Transforms the information from one mode or medium to another (e.g. prepares a slideshow that synthesizes the

Watch out for

  • Thinking you write for a general ‘everyone’ — you write for a specific audience whose knowledge sets what to explain.
  • Thinking a writer’s stance shows only in what they state — it shows in tone, distance and word choice too.
  • Thinking anything you find online is free to reuse — copyright and ownership rules apply, and crediting matters.

Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit

Unit 3 · 2 skills

Research Process

Research Process

Adopting a stance from your findings

The official wording · 2 outcomes
3.1
Uses ethnography to study a social world relevant to an adolescent
3.2
Adopts a stance that promotes the smooth development of a hypothesis, thesis statement or controlling idea in

Watch out for

  • Thinking research just means looking things up — some questions require you to observe or intervene, not just read.
  • Thinking any method fits any question — the method has to match what you’re trying to find out.

Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit

Unit 4 · 9 skills

Required Genres: Narrative Texts

Classic, modern, and contemporary literature

How narrative texts are built: structural irony

  • (Reading only) Structural irony (i.e. a double meaning established by a naive protagonist that continues throughout the text, such as in Treasure Island or Gulliver’s Travels)

Reading recurring motifs and patterns

Situational and dramatic irony

The official wording · 9 outcomes
4.1
Written for adults and reflecting the variety of texts in the literary tradition, including novels, short
4.2
(Reading only) Structural irony (i.e. a double meaning established by a naive protagonist that continues throughout the text, such as in Treasure Island or Gulliver’s Travels)
4.3
Recurring motifs, concepts, and other patterns
4.4
Irony (e.g. situational, dramatic)
4.5
Satire
4.6
Conventions of specific literary genres (e.g. use of mythical characters in an allegory; scene gathering all
4.7
Conventions of specific text types (e.g. use of gutters and panel shape/size in a comic; use of asides,
4.8
Multigenre conventions (e.g. journal entries in a novel; historical footage in a contemporary film)
4.9
(Reading only) Multimodal conventions (e.g. use of theatrical elements such as costume, set design, makeup,

Watch out for

  • Thinking genre is just a shelf label — genre sets the conventions and expectations you read a text against.
  • Thinking a repeated image is coincidence — deliberate repetition turns a detail into a carrier of meaning.
  • Thinking irony just means coincidence or bad luck — irony depends on a deliberate gap the reader is meant to see.

Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit

Unit 5 · 4 skills

Required Genres: Reports

How multigenre reports work

Conventions that establish authority

The official wording · 4 outcomes
5.1
Multigenre conventions (e.g. use of case studies in a research report; use of narration and/or description to
5.2
Multimodal conventions (e.g. video clips or still images interspersed throughout a televised interview; sound
5.3
Conventions that establish authority and expertise (e.g. formal register, technical/disciplinary diction/word
5.4
Rhetorical strategies to construct a relationship with the subject such as sharing short anecdotes,

Watch out for

  • Thinking music is just background — the score is often making the emotional argument the images cannot make alone.
  • Thinking formal register means fancy words — register is fit for purpose and audience, not decoration.
  • Thinking a voiceover is neutral narration — the voice chosen (its accent, calm, authority) is a persuasion choice.

Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit

Unit 6 · 13 skills

Exposition: Persuasive Texts

Required Persuasive Texts

How persuasive texts are built

Transforming persuasion across media

The official wording · 13 outcomes
6.1
Speeches (e.g. pitch an ad campaign, book talk)
6.2
Essays dealing with personal and social concerns (e.g. opinion column, position paper)
6.3
Persuasive language such as connotation, loaded words, modals (should, would, must), polarizing rhetoric,
6.4
Respect for production constraints that influence the content of a newspaper/magazine/show (e.g. word limit,
6.5
Rhetorical strategies such as anticipating and addressing opposing viewpoints, repetition, questions,
6.6
Multigenre conventions (e.g. use of melodrama in a series of TV ads; use of fairy tale conventions in an
6.7
Multimodal conventions (e.g. sound of grasshoppers to indicate deafening silence in a speech; manipulated
6.8
Transformation of ideas/concept from one mode/medium to another (e.g. creating a spoof PSA based on a current
6.9
Thesis/controlling idea (i.e. thesis statement)
6.10
Introduction with an engaging lead and an elaboration of topic
6.11
Evidence organized as points in a logical sequence (i.e. using a structure such as classification, cause and
6.12
Use of a variety of strategies to prove/illustrate point (e.g. anecdote, famous quotations, popular media
6.13
Conclusion which convinces reader either to behave (buy, donate, act – ‘call to action’) or to think a certain way

Watch out for

  • Thinking a speech is just an essay read out loud — spoken persuasion needs shorter sentences, repetition and a hook for the ear.
  • Thinking neutral-sounding language is neutral — loaded words and modals steer you while seeming plain.
  • Thinking an ad is mainly giving you product information — its real work is attaching a feeling to the product.

Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit

Unit 7 · 22 skills

Exposition: Argumentative Texts

Required Argumentative Texts

How argumentative texts are built

The official wording · 22 outcomes
7.1
Texts dealing with personal and social concerns, such as political blogs, editorials, televised panel
7.2
Essays dealing with issues/topics arising from literature, popular culture and the media
7.3
Texts dealing with personal and social concerns (e.g. editorial, blog, research thesis)
7.4
Essays dealing with issues arising from literature (i.e. literary essay)
7.5
Rhetorical strategies to engage and convince reader (e.g. stating basis of argument (pros/cons) upfront,
7.6
Conventions to establish credibility and authority such as using a formal, academic register; 1st or 3rd
7.7
Conventions which establish relationships between ideas and serve to extend the argument (e.g. syntactic
7.8
Multigenre conventions (e.g. use of personal narrative in an essay; ‘call to action’ conclusion in an
7.9
Multimodal conventions (e.g. video clips of recent news events in a panel discussion; satirical cartoon with
7.10
Use of a procedure such as Parliamentary procedure
7.11
Basic structure: opening statement of the issue and a preview of main arguments, followed by arguments for a
7.12
Rhetorical strategies to address and/or distract opponent such as rephrasing, paraphrasing, and/or
7.13
Spoken conventions such as intonation patterns, pauses and silences, gestures, turn-taking, use of a
7.14
Introduction which includes a lead, an elaboration of the topic, a clear thesis statement and a path statement
7.15
Evidence organized as points in a logical sequence (e.g. using a structure such as classification, cause and
7.16
Conventions to establish a sense of unity and coherence (i.e. paragraphs structured using a formulaic
7.17
Conclusion which wraps up the argument by: generalizing the thesis/ideas to the human condition, elevating
7.18
Proper citation(s) of reference material (e.g. ellipsis points, brackets, formatting, footnotes, bibliography
7.19
Focus on current issues and events in the news
7.20
Introduction which situates issue within a local and/or national context
7.21
Stance/role of editor is consistent with the ideology of a given news source
7.22
Respect for production constraints that influence the editorial content of a newspaper/magazine/show (e.g.

Watch out for

  • Thinking an editorial is just news — it’s an argument, and its stance reflects the outlet’s ideology.
  • Thinking a thesis just announces your topic — it must make a claim someone could argue against.
  • Thinking the writer’s opinion is only their own — an editorial usually voices the publication’s consistent position.

Every skill’s key ideas, worked examples and checks are in MapleMind.Practise this unit

Unit 8 · 2 skills

Conventions: Media Language

How a producer communicates a stance

Analyzing values and ideology in media

The official wording · 2 outcomes
8.1
Establish relevance (i.e. image/word/sound coexist and/or are juxtaposed to create meaning/message such as
8.2
Values, beliefs, ideologies (e.g. a close-up of a sleeping baby is associated with a new beginning; the

The mark you need

Your class mark counts for 50% of the final mark, the exam for 50%. Quebec may moderate your class mark before it’s blended.

You need

65% on the exam

With 75% in class, your final mark lands between 37.5% (0 on the exam) and 87.5% (100% on it).

The official curriculum

This page follows Quebec’s own curriculum for English Language Arts, Secondary 5.

Study it in MapleMind

MapleMind teaches English Language Arts, Secondary 5 one skill at a time. Each skill gets a short lesson, practice as you go and a check worth up to three stars. It remembers where you stopped.

Mathematics, Secondary 3 in the MapleMind app on a tablet: its units, Unit 1 open, and the skills done so far with their starsMathematics, Secondary 3 in the MapleMind app on a phone: its units, Unit 1 open, and the skills done so far with their stars
Pictured: Mathematics, Secondary 3, another Quebec course, partway through Unit 1.

Practise it

Course Companion

Your year in one workbook

A fun way to keep English Language Arts, Secondary 5 organized, get to know your child better and see early when they need a hand. Fill it in on a screen, or print it.

Pages
46
Fillable fields
2,137
Price
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See the Course Companion

Questions about English Language Arts, Secondary 5

What is English Language Arts, Secondary 5?

Quebec’s Secondary 5 English course: 8 units and 64 skills, from Reading Process: Interpreting Texts to Conventions: Media Language.

What units are in English Language Arts, Secondary 5?

1. Reading Process: Interpreting Texts, 2. Production Process, 3. Research Process, 4. Required Genres: Narrative Texts, 5. Required Genres: Reports, 6. Exposition: Persuasive Texts, 7. Exposition: Argumentative Texts and 8. Conventions: Media Language.

Is there a provincial exam for English Language Arts, Secondary 5?

Yes. The English Language Arts, Secondary V counts for 50% of the final mark. Next sitting: January 13, 2027.

Can MapleMind help with English Language Arts, Secondary 5?

Yes. MapleMind teaches every skill of English Language Arts, Secondary 5, step by step, with practice and checks, and its tutor answers questions about any of them. It’s free with daily limits, on iPhone, Android and the web.

Get ready for English Language Arts, Secondary 5

Practise every skill of English Language Arts, Secondary 5 in MapleMind, free with daily limits.